In January 2011, one of our finest actors passed on to The Great Mystery.
Pete Postlethwaite commanded the screen and stage with his formidable presence, his film career punctuated with startling roles in Brassed Off, Baz Lurhmann’s Romeo + Juliet, The Usual Suspects and let’s not forget Jurassic Park…
So, it was naturally a wonderful treat to see Paul Elton‘s intimate portrait of Pete appear in our trays of slooshing chemicals, his craggy demeanour immortalised as a Platinum/Palladium print.

Platinum/Palladium Print of Pete Postlethwaite by Paul Elton
Paul described to me how he made such a gentle portrait:
“Pete Postlethwaite lived with his family in south Shropshire. Close by is a local beauty spot and National Trust area called the Long Mynd. As Pete was himself a lover of the natural beauty of the south Shropshire hills, he wrote the foreword to a book written about the area.
“I covered the event for a society magazine. During a quiet moment I asked him if I may take his portrait to which he agreed. Totally unassuming and down to earth, he stared straight into the lens with those soulful eyes.
“The impromptu shoot was over in less than five minutes. Actually, I had photographed him on other occasions, but this image captured his integrity and for me reflected more faithfully my feelings of who he was.”
Although brief, it sounds like a wonderful moment for Paul with such a beautiful outcome.
Following some canvassing on Twitter and in ‘real life’, I’d like to leave you with a clip of one of Pete’s performances.
There are so many to choose from but this tear-jerking scene in Brassed Off came up consistently — as a friend of mine described it, “The most poetic piece of swearing ever filmed.”
Hankies at the ready…
If you’d like me to make prints for you, please feel free to contact me.
My latest list of services and prices can be downloaded in PDF format by clicking here.
Fresh from his flight across The Pond, I had the pleasure of meeting the street artist Yis “NoseGo” Goodwin in my studio yesterday.
As recently described in the Huffington Post, Goodwin creates playful, energetic totemic imagery of animal characters born from his imagination.

Goodwin is working with Unit 44 Gallery here in Hoults Yard, gearing up towards a solo show opening this Friday 10th May entitled The Marvelous Clash.
I’ve known Danny Hughes and Steven Dunn at Unit 44 Gallery for some time now — Goodwin’s work has provided a great opportunity for us to collaborate together for the first time in making the editioned Archival Pigment Prints to accompany the show.
Danny kindly describes the editioned prints I’ve made for Unit 44 as, “the most beautifully finished print we have ever released.”
Find out more information on their pricing and availability here.

In his latest blog post, Danny recalls a conversation with Goodwin over breakfast:
“He [NoseGo] described the totem composition of a number of his paintings, comprised of multiple layers, each distinguishable, separate however contributing to the over all form of the character. He referred to peoples experiences, lessons, and memories good or bad that make up who we are. He then went on to describe the somewhat ‘random’ composition of style, character, and look of the artworks. The result in this made absolute sense. He described the childhood toy box filled with all kinds of gems, figures, characters, animals, action heroes, vehicles etc. He then described that back then there was no constant ‘style’ in which you would arrange and play with your toys – this being the ‘marvelous clash’.”

Finally, I’ve always been fond of the photographic eye of the inimitable David Bilbrough.
David popped into the studio last week to capture the print production process. Along with Unit 44, he’s kindly allowed me to share some of his observations with you here…





If you’d like me to make prints for you, please feel free to contact me.
My latest list of services and prices can be downloaded in PDF format by clicking here.
Three years ago, I wrote a short post on printing a series of Arabian Horses for Tariq Dajani.
I mentioned at the time how special that felt, not least because many of the prints I made for Tariq over the years are now with the Jordanian Royal Family, some members of the ruling families of the UAE and with various other influential people in the Middle East.
So, perhaps you can imagine my eyes lighting up when Tariq mentioned that some more images were on their way to me. Falcons would feature this time for a show in Dubai.

Saker Falcon (Falco cherrug) 2011 © Tariq Dajani 2011
I love Tariq’s approach to photography, using very modern methods to realise photographs with a very traditional feel.
Tariq describes:
“The falcon series was shot over a period of two years from 2011 to 2012. The Peregrine, Gyr and Sakr falcons are all female birds, more aggressive and are bigger than the males.
“They are all prized and valuable hunting birds owned by some very important people, whom I’m not at liberty to mention.”

Peregrine Falcon (Falco peregrinus) 2011 © Tariq Dajani 2011
“While the precise origins of falconry are lost in time, the keeping of falcons in the Middle East is as ancient as the emergence of its civilizations and goes back at least 4000 years.
“As with my series on the Arabian horse, this series pays tribute to the traditions and heritage of our region.”

Saker Falcon (Falco cherrug) 2011 © Tariq Dajani 2011
The prints I made were huge; most were around 130cm on their longest dimension.
Due to their size, each print more-or-less filled my entire print table, making them many times larger than life. On my way to the studio each morning, I had to remind myself what was waiting beyond the door so as not to get a shock each time!
The beautiful, trusty combination of HP Vivera Pigment Ink and Hahnemühle Photo Rag 308gsm prevailed once more; I thought I’d leave you with some photographs I captured during the printmaking process…

Print Detail: HP Vivera Pigment Ink on Hahnemühle Photo Rag 308gsm

Print Detail: HP Vivera Pigment Ink on Hahnemühle Photo Rag 308gsm

Print Detail: HP Vivera Pigment Ink on Hahnemühle Photo Rag 308gsm

Print Detail: HP Vivera Pigment Ink on Hahnemühle Photo Rag 308gsm

Print Detail: HP Vivera Pigment Ink on Hahnemühle Photo Rag 308gsm

Print Detail: HP Vivera Pigment Ink on Hahnemühle Photo Rag 308gsm
UPDATE: Tariq tells me that the prints look beautiful in situ, which certainly looks to be the case from this photograph he sent me:

Tariq Dajani conducting one of many media interviews at his show in Dubai…
If you’d like me to make prints for you, please feel free to contact me.
My latest list of services and prices can be downloaded in PDF format by clicking here.




















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