Regular visitors to this site will know that the marriage of analogue and digital photographic practice is a hot discussion at the moment.
With such topics close to my heart, I was very pleased to be invited by the University of Northumbria to take part in a group show being held right here on Hoults Yard at Unit 44.
The photographers taking part:
Alysia Anne, David Bilbrough, Fiona Crisp, Agnieszka Kozlowska, John Lavell, Jack Lowe, Joanne Tatham & John O’Sullivan, Louise Todd and Ginny Reed.
It opens this Friday 23rd March — with the preview from 6:30pm until 9pm — and closes on 5th April.
Alongside the other photographers’ work, I’ll be showing a selection of my Platinum/Palladium prints made from Digital Negatives – if you’re in the area, do pop by…
It gives me great pleasure to welcome you to my 100th blog post. Two years ago, almost to the day, this blog was conceived and I hope you continue to enjoy my missives.
How fitting that this post should coincide with the completion of my largest ever project — a large print edition for the London 2012 Olympics.
Way back in December 2010, I introduced you to Rachael Clewlow’s infographics but at the time we were not in a position to divulge their true purpose and context.
As a brief reminder, I scanned two of Rachael’s acrylic artworks and reproduced them at actual size.
A year later, I was given the go ahead to make a total of 730 prints to grace the walls of the Hilton London Wembley hotel, forming part of the Olympic Village.
The trusty combination of my HP Designjet Z3200′s and Hahnemühle Photo Rag 308 won through yet again…
Most days, for five minutes or so during the late afternoon, I stand at my studio window — coffee in hand — watching the sun descend over the city.
On one of those occasions, I pondered how far the framed prints might stretch end-to-end.
Of course, with the power of Google Earth at our fingertips these days, it didn’t take long to come up with the answer:
What’s more, following a fortuitous meeting with one of the top brass at the newly conceived Sky Tyne and Wear, it also didn’t take long for the media to come knocking…
To complete my very own Olympic event, my machines would be in action for ten hours every working day for over six weeks.
Of course, once the pieces were printed, there was still work to be done. Each print had to be trimmed to an exact size and, between me and my Rotatrim, the 4500 cuts were executed perfectly.
Wary of all the hard work that could soon be undone, I also had a custom hod constructed. Designed to carry around one hundred prints at a time, this simple vehicle certainly earned its keep when it came to safely carrying completed work to the framer, Bruce Reid, downstairs at Unit 19.
Every now and then, Rachael would pop in to sign the latest batch of prints.
It would take her several hours to complete each session but, with the aid of multiple cups of tea, she soon got used to writing her name hundreds of times…
These prints have now left my studio and I have to say that, even though 2012 remains steadfastly relentless, there’s a part of me that misses Rachael’s work passing through my printers.
I was often asked by passers-through whether or not I tired of seeing the prints. “Not at all!” was my consistent answer — I feel sincerely honoured to have played a small part in the London 2012 Olympics and all in the comfort of my home-from-home in Newcastle upon Tyne.
I would like to extend my deepest thanks to the artist, Rachael Clewlow, and her gallerist, Andrea Harari, for their help and enthusiasm and for bringing the London 2012 Olympics to Jack Lowe Studio.
Rachael’s exhibition, The Process, is showing at Jaggedart in London’s Devonshire Street from 19th April to 12th May.