Jul 262012
 

Muhammad Ali by Thomas HoepkerRather than working solely in the digital arena, I consider myself a fan of all things photographic.

Over the past twelve years or so, I have dedicated my life to the highest quality inkjet printing (sometimes know as Giclée).  However, keen followers will know that I have also been working intensively on the analogue side for the last two years or so with Richard Freestone of 139 Printroom.

Together, we have been bridging Centuries to produce sumptuous analogue Platinum/Palladium prints from modern Digital Negatives.

This side of our working lives has been steadily taking shape as increasing numbers of photographers, collectors and galleries begin to understand the beautiful nature of the service we are now able to offer.

Every now and then, the most wonderful convergence of events can happen in photographic printing — Richard and I have been privileged to enjoy such a convergence over the last fortnight or so…

Picture this: A commission from a world-famous photographic collective to make a Platinum/Palladium print edition of one of the most iconic humans ever to grace the planet.

Well, last week that commission came through for us from Magnum in the form of a spontaneous moment grabbed by Thomas Hoepker in 1966 of Muhammad Ali.

Platinum/Palladium edition print made by Jack Lowe Studio and 139 Printroom of Muhammad Ali by Thomas Hoepker

Platinum/Palladium Edition Print of Muhammad Ali by Thomas Hoepker for Magnum

Thomas Hoepker (b.1936) joined Magnum in 1964, becoming a full member in 1989.  He has many incredible photographs, exhibitions and publications to his name.

Richard asked Thomas how this image came about and he gave a candid reply:

“I got this shot when I worked on a reportage on Ali in Chicago in 1966. I watched him during training in the gym and during a short break he saw me sitting there in a corner.

“He danced up to me, stopped briefly in front of my seat and threw three quick pushes in my direction. Then Ali turned around and was gone.

“Only one shot is sharp, the other two underexposed. There was very little light.”


Thomas has also just published a book on Ali called CHAMP carrying the same image on the cover.

The Platinum/Palladium process suits the photograph perfectly — with each print carrying a stone-like quality, it really feels as though the viewer is about to be hit by a fist of rock!

If you would like to learn how we can make Platinum/Palladium prints for you from your digital files, remember to take a look at this page.

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