Oct 092013
 

It’s always a treat when I can be involved in a body of work over a long period of time, seeing its progression and printing the resulting exhibition.

I’ve worked with Damien Wootten for many years now — nine, in fact. During that time, he’s visited several North East locations repeatedly for the last eight years to form the series, Coastal Retreats.

Coastal Retreats, Caravan by Damien Wootten

Mainly working in and around Newbiggin-by-the-Sea, Damien’s immersion in the area really shines through.

As he describes:

“At times everyone needs somewhere to retreat to, and I’m sure — like many — my destination seems to be the coast, and being a photographer it seems inevitable that I take my camera with me. I’m very familiar with the North East coast of England and parts of it are deserted, wild and beautiful — but it is the more ordinary, everyday and less attractive areas that interest me more photographically.”

Coastal Retreats, Family by Damien Wootten

Local Family, Newbiggin-by-the-Sea, Northumberland

Damien continues:

“I have never questioned too deeply why I have chosen these locations to work in and accepted it as an impulse and a need. Hopefully these images have something more to give than just to show the surface of things and offer something worthwhile and contemplative to say about our place within our landscape. These coastal areas seem to symbolise that – where the man-made reaches the edge of things. This is where the natural environment takes over, restraining human encroachment.”

Coastal Retreats, Man by Damien Wootten

I love the Northernness of ‘Coastal Retreats’, a feeling that I’m sure prevails as a result of Damien living in the area along with his seemingly unconditional persistence!

Anyone who lives in the wild and woolly North East will know exactly what it feels like to stand in many of the scenes Damien’s captured, not least a biting one such as this:

Coastal Retreats, Snow Sea by Damien Wootten

Printing this series has been a true pleasure — I hope all those who manage to see the show between 12th October and 2nd February at the Woodhorn Museum in Northumberland enjoy it as much as I have.

The photographs are all 40x40cm Archival Pigment Prints on 60x60cm Museo Silver Rag 300gsm using HP Vivera Pigment Ink.

May 242013
 

In January 2011, one of our finest actors passed on to The Great Mystery.

Pete Postlethwaite commanded the screen and stage with his formidable presence, his film career punctuated with startling roles in Brassed Off, Baz Lurhmann’s Romeo + Juliet, The Usual Suspects and let’s not forget Jurassic Park

So, it was naturally a wonderful treat to see Paul Elton‘s intimate portrait of Pete appear in our trays of slooshing chemicals, his craggy demeanour immortalised as a Platinum/Palladium print.

Platinum/Palladium Print of Pete Postlethwaite by Paul Elton

Platinum/Palladium Print of Pete Postlethwaite by Paul Elton

Paul described to me how he made such a gentle portrait:

“Pete Postlethwaite lived with his family in south Shropshire.  Close by is a local beauty spot and National Trust area called the Long Mynd.  As Pete was himself a lover of the natural beauty of the south Shropshire hills, he wrote the foreword to a book written about the area.

“I covered the event for a society magazine.  During a quiet moment I asked him if I may take his portrait to which he agreed. Totally unassuming and down to earth, he stared straight into the lens with those soulful eyes.

“The impromptu shoot was over in less than five minutes.  Actually, I had photographed him on other occasions, but this image captured his integrity and for me reflected more faithfully my feelings of who he was.”

Although brief, it sounds like a wonderful moment for Paul with such a beautiful outcome.

Following some canvassing on Twitter and in ‘real life’, I’d like to leave you with a clip of one of Pete’s performances.

There are so many to choose from but this tear-jerking scene in Brassed Off came up consistently — as a friend of mine described it, “The most poetic piece of swearing ever filmed.”

Hankies at the ready…

If you’d like me to make prints for you, please feel free to contact me.

My latest list of services and prices can be downloaded in PDF format by clicking here.

May 082013
 

Fresh from his flight across The Pond, I had the pleasure of meeting the street artist Yis “NoseGo” Goodwin in my studio yesterday.

As recently described in the Huffington Post, Goodwin creates playful, energetic totemic imagery of animal characters born from his imagination.

NoseGo's The Marvelous Clash with Unit 44 Gallery

Goodwin is working with Unit 44 Gallery here in Hoults Yard, gearing up towards a solo show opening this Friday 10th May entitled The Marvelous Clash.

I’ve known Danny Hughes and Steven Dunn at Unit 44 Gallery for some time now — Goodwin’s work has provided a great opportunity for us to collaborate together for the first time in making the editioned Archival Pigment Prints to accompany the show.

Danny kindly describes the editioned prints I’ve made for Unit 44 as, “the most beautifully finished print we have ever released.”

Find out more information on their pricing and availability here.

NoseGo's The Marvelous Clash with Unit 44 Gallery

In his latest blog post, Danny recalls a conversation with Goodwin over breakfast:

“He [NoseGo] described the totem composition of a number of his paintings, comprised of multiple layers, each distinguishable, separate however contributing to the over all form of the character. He referred to peoples experiences, lessons, and memories good or bad that make up who we are. He then went on to describe the somewhat ‘random’ composition of style, character, and look of the artworks. The result in this made absolute sense. He described the childhood toy box filled with all kinds of gems, figures, characters, animals, action heroes, vehicles etc. He then described that back then there was no constant ‘style’ in which you would arrange and play with your toys – this being the ‘marvelous clash’.”

NoseGo's The Marvelous Clash with Unit 44 Gallery

Finally, I’ve always been fond of the photographic eye of the inimitable David Bilbrough.

David popped into the studio last week to capture the print production process. Along with Unit 44, he’s kindly allowed me to share some of his observations with you here…

Production of NoseGo print editions at Jack Lowe Studio in conjunction with Unit 44 Gallery

Production of NoseGo print editions at Jack Lowe Studio in conjunction with Unit 44 Gallery

Production of NoseGo print editions at Jack Lowe Studio in conjunction with Unit 44 Gallery

Production of NoseGo print editions at Jack Lowe Studio in conjunction with Unit 44 Gallery

Production of NoseGo print editions at Jack Lowe Studio in conjunction with Unit 44 Gallery

If you’d like me to make prints for you, please feel free to contact me.

My latest list of services and prices can be downloaded in PDF format by clicking here.

Feb 082013
 

Next Tuesday 12th February sees the opening of Looking at the View at Tate Britain.

This thematic display looks at continuities in the way artists have framed our vision of the landscape over the last 300 years. Comprised entirely from the Tate Collection, over seventy works by more than fifty artists will be included, with familiar names such as J.M.W. Turner and Tracey Emin making an appearance.

Among such luminaries will be a long-standing client of mine, Fiona Crisp. Tate will be showing a print I made for Fiona, ‘Norwegian Series #3 2007′…

Fiona Crisp's Norwegian Series No.3 from 'Look at the View' on show at Tate Britain, London

Fiona Crisp, Norwegian Series #3 2007

As Fiona describes in an accompanying article for The Guardian:

Norwegian Series #3 2007 is from a cycle of four photographic works taken from a rural house high in the mountains of central Norway in the summer of 1999. The image holds no clue as to the time of day it was made but there is a quality to the light — or more accurately, to the differentiation of the interior and exterior light — that is hard to place. All the photographs in the series were taken at different points during the night when, in addition to a lack of darkness at this latitude, there are subtle shifts in colour cast that slightly nudge your perception off kilter.

‘Looking at the View’ also includes the work of Wolfgang Tillmans, Julian Opie, Tacita Dean, Carol Rhodes and Lisa Milroy.

The show runs until 2nd June with free entry.

Nov 012012
 

It has been a great pleasure to make three huge prints for Chris Harrison’s latest show, I Belong Jarrow, which opens this evening in Norway.

Chris grew up in Jarrow (very near to my studio here in Newcastle upon Tyne) and now, as he writes on his About page, lives in a little yellow house on the edge of a wood near Oslo.

Chris Harrison, I Belong Jarrow

Although he’s settled abroad, Chris is obviously still very attached to the town he recognises as home:

“I was born and brought up in Jarrow, a tough industrial town on the south bank of the river Tyne. It’s where I call home.

“I have lived abroad for more years than I care to admit. My Mother and Father are getting old and moving out of Jarrow, cutting me adrift with no way back. Finally, I have been forced to think about who I am and where I belong.

“I never wanted to leave Jarrow. I always imagined that one day I would make it my home. I realise now that I can never return. Somehow I traded knowledge of the outside world for some vital piece of me.

“With this realisation, I have returned home in order to try to establish how much of where I am from determines who I am, and to begin to understand why I can’t seem to let go.”

Chris Harrison, I Belong Jarrow

Chris Harrison, I Belong Jarrow

Chris’ book, ‘I Belong Jarrow’, can be purchased directly from Schilt Publishing or, of course, from Amazon.

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