May 082013
 

Fresh from his flight across The Pond, I had the pleasure of meeting the street artist Yis “NoseGo” Goodwin in my studio yesterday.

As recently described in the Huffington Post, Goodwin creates playful, energetic totemic imagery of animal characters born from his imagination.

NoseGo's The Marvelous Clash with Unit 44 Gallery

Goodwin is working with Unit 44 Gallery here in Hoults Yard, gearing up towards a solo show opening this Friday 10th May entitled The Marvelous Clash.

I’ve known Danny Hughes and Steven Dunn at Unit 44 Gallery for some time now — Goodwin’s work has provided a great opportunity for us to collaborate together for the first time in making the editioned Archival Pigment Prints to accompany the show.

Danny kindly describes the editioned prints I’ve made for Unit 44 as, “the most beautifully finished print we have ever released.”

Find out more information on their pricing and availability here.

NoseGo's The Marvelous Clash with Unit 44 Gallery

In his latest blog post, Danny recalls a conversation with Goodwin over breakfast:

“He [NoseGo] described the totem composition of a number of his paintings, comprised of multiple layers, each distinguishable, separate however contributing to the over all form of the character. He referred to peoples experiences, lessons, and memories good or bad that make up who we are. He then went on to describe the somewhat ‘random’ composition of style, character, and look of the artworks. The result in this made absolute sense. He described the childhood toy box filled with all kinds of gems, figures, characters, animals, action heroes, vehicles etc. He then described that back then there was no constant ‘style’ in which you would arrange and play with your toys – this being the ‘marvelous clash’.”

NoseGo's The Marvelous Clash with Unit 44 Gallery

Finally, I’ve always been fond of the photographic eye of the inimitable David Bilbrough.

David popped into the studio last week to capture the print production process. Along with Unit 44, he’s kindly allowed me to share some of his observations with you here…

Production of NoseGo print editions at Jack Lowe Studio in conjunction with Unit 44 Gallery

Production of NoseGo print editions at Jack Lowe Studio in conjunction with Unit 44 Gallery

Production of NoseGo print editions at Jack Lowe Studio in conjunction with Unit 44 Gallery

Production of NoseGo print editions at Jack Lowe Studio in conjunction with Unit 44 Gallery

Production of NoseGo print editions at Jack Lowe Studio in conjunction with Unit 44 Gallery

If you’d like me to make prints for you, please feel free to contact me.

My latest list of services and prices can be downloaded in PDF format by clicking here.

Jan 232012
 

Last night, I received a phone call from my Aurora-chasing friend, Reed Ingram Weir.

Apparently, the facts and figures were all pointing to a stellar show by The Northern Lights.

If I was to finally witness this natural phenomenon, now would be the time to jump in the car and make the sixty five mile journey north on the A1.

It would have been all too easy to settle in for the night on a Sunday evening but I was soon experiencing an intense urge to make the trip.

Aware that digital cameras can pick up early signs of the Aurora much more easily than the human eye, I quickly nipped to the top of the house to photograph the Northern sky.

The giveaway green haze hovering above the Newcastle horizon convinced me that it was time to go and meet Reed on the Holy Island causeway:

aurora borealis, northern lights, newcastle upon tyne, north east england

No apologies for the coarse quality of this hurried photograph, it was the moment I knew I had to drive North!

I grabbed a friend who I knew would also cherish the experience, though neither of us could ever have been prepared for the scene that greeted us.

Nearing the turn-off for Holy Island, the sky had become alive with huge columns of light, folding and weaving like waves of fabric.

Words can barely describe the emotion that overcame me — it was all I could do to keep the car on the road with such a spectacle taking place in the cold air above us.

Vast slabs of vertical green light gave the Northumberland night sky an epic cathedral-like appearance and all for a fleeting fifteen minutes or so…

As we arrived on the dark causeway, I must confess to feeling a little jittery.

The light show was beginning to fade already but it still looked sensational as it receded.  I managed to capture these images while the performance played out:

aurora borealis, northern lights, northumberland, holy island, north east england

Gentle scenes from the Holy Island causeway as we arrived...

aurora borealis, northern lights, northumberland, holy island, north east england

Vertical shafts of light began to appear once more...

aurora borealis, northern lights, northumberland, holy island, north east england

...and the sky appeared to fold and crease like fabric above the glow of Berwick upon Tweed.

In all honesty, the intensity of green captured by my camera surprised me.  However, it seemed to match up with the photographs of others.

When watching this beautiful show, I didn’t see green, I saw a bluey-silvery-grey. I thought that reciprocity failure might have come into play, so I tried some very short exposures.

Yes, the images were very under-exposed but the green colour still prevailed.  Even the ‘quick and dirty’ capture made at ISO 3200 (the image at the top of this post) immediately showed the Aurora-green piercing through the urban haze.

It seems that more intense displays further north, in and around locations such as Tromsø, literally drench the surroundings in a glorious green light.

Thankfully, at times, we were able to see the green for ourselves during pinpricks of higher intensity.

Indeed, as we were arriving, I’ve already mentioned the great slabs of green light standing tall like huge, futuristic, architectural pillars in the sky.

So, this sparked a further spine-tingling question in my mind: When the intensity levels of the Aurora are reduced further South, why is that we observe a bluey-silvery-grey colour, yet we point a digital camera at the Aurora and the intense green prevails?

Is the camera able to render information that we cannot perceive at these lower intensities?  I’m sure there will be answers to this but I simply enjoyed pondering them while standing in that icy cold theatre.

I expect Professor Brian Cox would know the answer. If you know, feel free to enlighten us by leaving a comment in the box at the end of this post!

And so, the curtain gradually fell on the performance. The graceful, pulsing light faded away yet still lingered, maintaining a hold on us and making it very difficult to set off home.

aurora borealis, northern lights, northumberland, holy island, north east england

The performance draws to a close with one last needle of brilliant light.

And let’s not forget the beautiful sky to the South, so dense that Orion (often obvious at this time of year) is almost lost among its neighbours:

night sky, stars, orion, northumberland, holy island, north east england

Looking South, the stunning Northumberland night sky with Orion standing tall in the centre of the image.

Some say that viewing the Aurora Borealis is life-changing.

Would I agree? Yes, without a doubt.

I haven’t been able to shake the experiences of last night from my mind, not that I’ve wanted to.

Furthermore, it’s taken me most of the day in grabbed moments here and there to attempt to put those experiences into words.

I’m still not sure that I’ve succeeded.

As I put my boys to bed this evening, I peered North from the window once more. Nothing.

The Aurora Borealis was gone for the moment but I shall never look at the sky in the same way again, day or night.

Keen followers of this blog and my Twitter feed will know that I am very keen on the video clip below, the Aurora Borealis and Australis as seen from the International Space Station.

It seems appropriate to sign off from this post by leaving you with this beautiful footage…

Earth | Time Lapse View from Space, Fly Over | NASA, ISS from Michael König on Vimeo.

Jun 092011
 

As George Shaw’s stunning Sly and Unseen Day slips away, Robert Breer takes on the mantle at BALTIC Centre for Contemporary Art.

Once again, I’m proud to have made the high resolution scan in preparation for the production of the latest twenty metre banner adorning BALTIC’s quayside wall.

As you will see, this is a particularly satisfying outcome when seeing the tiny size of the original artwork…!

 

Robert Breer Almost Everything Goes Banner at Baltic Centre for Contemporary Art

The original artwork from which I made the High Resolution Scan

Robert Breer Almost Everything Goes Banner at Baltic Centre for Contemporary Art

Looking up river along the stunning Newcastle & Gateshead quayside

Robert Breer Almost Everything Goes Banner at Baltic Centre for Contemporary Art

The final banner adorning the quayside wall of BALTIC Centre for Contemprary Art

Robert Breer Almost Everything Goes Banner at Baltic Centre for Contemporary Art

The 'M' in 'ALMOST' | A Detail from the 1.2GB Scan

 

 

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