Oct 092013
 

It’s always a treat when I can be involved in a body of work over a long period of time, seeing its progression and printing the resulting exhibition.

I’ve worked with Damien Wootten for many years now — nine, in fact. During that time, he’s visited several North East locations repeatedly for the last eight years to form the series, Coastal Retreats.

Coastal Retreats, Caravan by Damien Wootten

Mainly working in and around Newbiggin-by-the-Sea, Damien’s immersion in the area really shines through.

As he describes:

“At times everyone needs somewhere to retreat to, and I’m sure — like many — my destination seems to be the coast, and being a photographer it seems inevitable that I take my camera with me. I’m very familiar with the North East coast of England and parts of it are deserted, wild and beautiful — but it is the more ordinary, everyday and less attractive areas that interest me more photographically.”

Coastal Retreats, Family by Damien Wootten

Local Family, Newbiggin-by-the-Sea, Northumberland

Damien continues:

“I have never questioned too deeply why I have chosen these locations to work in and accepted it as an impulse and a need. Hopefully these images have something more to give than just to show the surface of things and offer something worthwhile and contemplative to say about our place within our landscape. These coastal areas seem to symbolise that – where the man-made reaches the edge of things. This is where the natural environment takes over, restraining human encroachment.”

Coastal Retreats, Man by Damien Wootten

I love the Northernness of ‘Coastal Retreats’, a feeling that I’m sure prevails as a result of Damien living in the area along with his seemingly unconditional persistence!

Anyone who lives in the wild and woolly North East will know exactly what it feels like to stand in many of the scenes Damien’s captured, not least a biting one such as this:

Coastal Retreats, Snow Sea by Damien Wootten

Printing this series has been a true pleasure — I hope all those who manage to see the show between 12th October and 2nd February at the Woodhorn Museum in Northumberland enjoy it as much as I have.

The photographs are all 40x40cm Archival Pigment Prints on 60x60cm Museo Silver Rag 300gsm using HP Vivera Pigment Ink.

Sep 122013
 

One of the joys of 2013 has been meeting and working with the acclaimed photojournalist, Tom Stoddart.

As his site describes:

“During a long and varied career Tom has witnessed such international events as the war in Lebanon, the fall of the Berlin Wall, the election of President Nelson Mandela, the bloody siege of Sarajevo and the wars against Saddam Hussein in Iraq.”

On meeting for the first time, I couldn’t help but think that the clinical environment of my studio was surely at odds with many of those frightening, desperately upsetting scenes to have passed before Tom’s eyes.

When he calls to let me know that a photograph is on its way for me to print, it’s hard to know exactly what will appear on my monitor — especially when the file is entitled ‘Cool Dude’.

So, what will a photograph by Tom Stoddart be like that’s called ‘Cool Dude’?

Well, it’ll be like this:

Colombian coca cartel wars captured by Tom Stoddart

Colombia, Photograph © Tom Stoddart 1996

A striking image and one with an equally striking story:

COLOMBIA – NOVEMBER 1996:  Cocaine is worth billions of dollars to the Colombian drug traffickers. More than 70,000 people have died in the cartel wars, and Colombia’s elite Special Forces have battled hard to stem the flow of drugs from the jungle region of Guaviare which covers an area of 26,000 sq miles and produces more than half the world’s cocaine.  The photograph shows Special Forces after blowing up a landing strip used by cartels to transport cocaine from a coca-processing lab in the heart of the Colombian jungle.

Tom candidly told me about another facet to this photograph:

Having flown in by helicopter, a 4×4 vehicle belonging to the cartel was found nestled in the bushes. Unusually, the Special Forces decided to try and drive it back to the Police station some 100km away.

So, Tom now had the choice of returning by car or helicopter.

He chose the latter, which was fortunate as the 4×4 was ambushed en route. One of the Special Forces’ men was killed, the others were wounded but survived…

iWitness by Tom Stoddart

Tom has kindly given me a copy of his stunning book, iWITNESS.

Published by Trolley, printed in Italy and with a foreword by Sir Bob Geldof, it’s a beautifully produced tome full of anguish, sadness, desperation, horror, hope and optimism.

As Tom said when he handed it to me, “It’s just so sad that images like this even have to exist.”

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