I love the Autumn, it feels like the next chapter.
With the ‘Summer’ over, the arrival of Autumn provides a brief chance for reflection on the year so far, before knuckling down to the winter months ahead.
In the lead up to a break at the end of August, I enjoyed a very busy time in the studio.
Excited, not least now that Andrew has been crowned a winner of the hallowed World Press Photo contest.
Andrew describes the project in more detail:
“Having lived and worked in Africa for a number of years, I was intrigued by Western Sahara as it was always the country on that continent that I heard the least about. So I read the history and was shocked to learn that the conflict there had never been resolved and that tens of thousands of indigenous Saharawi were still languishing in Algerian refugee camps. I thought it was a story that simply had to be told.
The style of photography came about because I wanted the images to have a strong message: to relate to the outside world the Saharawi issue and the injustice. I wanted to give a sense that this is one long night for the Saharawis, one lasting 35 years. To show very little of the land emphasizes that they are landless, and very simply by lighting them in the darkness I was saying, “Look! These people are here!” Finally I wanted the viewer to see what I had seen; a people utterly forgotten, abandoned, out of the world’s consciousness: a people as ghosts.”
The A1 and A2 prints looked stunning ahead of their shipment to Dubai, utilising one of my all-time favourite combinations—HP’s Vivera Pigment Ink on Hahnemühle Photo Rag 308gsm paper.
For now, I shall leave you with more images to enjoy from The Last Colony series…
On this Friday morning, I find it difficult to think of a more pleasant way to end the week than to show you the work contained within this missive, Blog Post 88.
I have known Julian Calverley for many years and it has been a true pleasure to work with him on a more regular basis of late. A post in October last year described an enjoyable couple of days working together in my studio.
Rather than ramble on, I’ll defer further communication to the imagery. The first two photographs, below, form the beginnings of Julian’s new project, North Northwest.
Following those are details I captured of the four Archival Pigment Prints I made for Julian this week.
In all cases, the prints are made with HP Vivera Ink and Hahnemühle Bamboo 290gsm…